Raised in 2 countries with deep international roots
& a restless curiosity for sound,
Canadian-born Windmills began creating music in 2011.
As a performer he’s toured across North America, performing at major music festivals of thousands
(Rifflandia, Shambhala, Canadian Music Week, Khatsahlano, Island Time) to intimate rooms,
creating a name for himself & his trademark sound.
That sound, known as “Moody Indie Swoon Pop”,
has become something meticulously cultivated & obsessed over,
with careful thought & attention to where it may lead.
A constant challenge to evolve, to keep moving.

& the work speaks for itself.
Featured in films & documentaries, television & ad placements globally since 2013.
As a composer, Windmills has written original music for short films, theatre, & online series.
With comparisons to Jon Hopkins, Ólafur Arnalds, Patrick Watson & Johan Johannson,
Windmills has proven he can’t be classified by any one genre or label.

Over the last decade Windmills has released 4 full-length LP’s & 2 EP’s, culminating with 2022’s
“what need is there to weep?”.
A full-length album unlike anything he had created before.
The response was deafening, immediately selling out the first vinyl pressing (100),
with records shipped to over 30 locations globally in 8 countries across 5 continents.
The songs landing on major playlists & licensed for incredible projects internationally.

After 2 years of performing over 60+ shows,
Windmills released his first new single & inaugural
“1 song a month for the rest of 2024” (via Sounds Suspicious) campaign,
beginning in June with the release of “As You Like It”,
a summer wave of infectious hooks & Windmills’ trademark lyrical wit.
& as the seasons changed, so did Windmills’ release strategy,
shifting tonally as winter approached. the final 6 songs of 2024,
an introspective collection of songs that tackle
ego, love, self-doubt, & the pursuit of healing.
”Q U I E T T R A U M A S” come for us all.

The next chapter?
As always, is still being written… as windmills keep moving.